Friday, May 26, 2017

O Ciclo da Falsa Saudade



The Neoliths

The Tagus runs silent
Sullen steps offer brother no comfort
The ancient ones
Here before my mothers and fathers
Heavy brow and strong arms, but alas
Thick minds and inflexible.
Inflexible.

The Tagus runs silent
We left them a monument today
From the dawn to the dark
In mimicry of the tombs they leave us
Standing stones, oaken carved bulls
My sister in her grief
Painted them a grand horse
To run alongside their spirits

The Tagus runs silent
Innumerable tributaries
Veins in the Earth
Blood of the Mother
Our children are theirs
And the trees will never stop singing
Their songs



Estrímnio

The snake folk of the far west
A Blind Greek said,

Eastern friskers pass through on elephants
Always clamoring, stammering, and fighting for naught

One called Mago knocked at our door
He spoke politely, but felt the need
To prod us for gold, jewels and wheat.
We gave what we could and he went on his way, but turn the season and

One called Cornelia came to our palisade
To hunt one called Mago
We did nothing to aid, but point to his trail
Of spoils, blunt gold, and hardly fresh bread.

The hunter returned, a great red kite
And captured the sweet dove of home

Driven centuries
In Octavian law

Forgotten people
We once were
Lusitanians, Cantabrians, Asturians, Arevaccans
Reduced to nothing but signs

Songs soon forgotten
Rulers soon turned stinking rotten
They die within, we die without
A tremor finally mounts

Great shakers of history!
Visigothic rage trapped in the Earth

Disappointment of our gods
Set loose, violent, complete

And to some hellish drum beat
Spilled from the wounds of our ancient mother
And settle us into dust
The northern hordes

Our homes shook and fathers died
As Roman blood flooded our streets
And temples fall to the whims of our Mother
We drown




al-ʾIšbūnah

On gusted winds came the hard, red sand
And settled into the gaps left behind,
Wounds torn open by Eagles
Now fill with dust

Down the twisted corridors
Of streets turned distant
Granite blocks, hungry boys
A smiling ochre face

He came from a land
That is unimaginably far
Twisted, he says,
By the wind into mountains he calls
Dunes

Though on horseback he arrived
He and his brothers came softly
And took pity on us who were Vandalized

To the chagrin of kings and priests
They built our walls
To protect us from what old masters call freedom
And what new masters call heretic

I wish I could say it was all bad
But in the winding of the city
The clouds turned over on their bellies
And felt no spear thrust to finish them
Only a warm hand
And a basket of fruits




Porta de Martim Moniz

My son asked me the other day how he fell
And so I told him the story
The Day Martim Moniz died, was the day Portucalae was born

His blood the sperm, the hard red earth
The egg
My boy loves fables and asks of the way
The way he died

And I told him the story
Of the crusader’s mad desperation
To clear away sticky those eastern sands
That had filled our markets
Clamped himself in the jaws of the gate
And died

To block the way open to his comrades
With his mailed body
Like the scales of a snake
Locked in the jaws of a hawk.

My son is a lover of tales
And so I weave them for him
Fables of chivalry and success
Often lies
But what little truth there is
Is golden

The boy asks for another tale
And I happily oblige
Pleased that stories are what he seeks
So I tell him




Church of the Raven

Why does the raven block the sky?
Does she worship here as Saragossa once did?
Will she too, be ripped from her grave
By a conquering king?

I keep from him, the cruelty of his death
No child needs to hear
Of torture, salt, and hot irons

I only spoke of a man
Who dreamed to pray
The way the crows do

Desires dispelled
Feathers fluttered
And carrion eaten

Freedom of the skies
Eyes of God
And the wind in our hair

The relics of a ruined village
The scattered bones of the devout
And a flock of ravens

A flock of black
This is the plague of the saints
His body taken

To the walls of a sea-drenched town
And left to settle the spirits
Of those who had been conquered
And rose again for conquest.



Market Mistress

Spices, porcelain, open enterprise,
Dyes, ivory dice, artisans

Sugar, gold, hot fruit pie,
Bookers, muggers, folds of paper,

Wine, fur, salt,
Frankincense, myrrh, revolts,

Iron, copper, they’ll accept anyone’s dollar
Blood, silver, fill the coffers

Coffee, cocoa, silk,
Boards for boats, floors, and all that ilk

Slaves, men, women, and babes
Tea, terracotta, glass,

And bodies of thieves, tied to an unused mast
Rot in the sun just as well as

Peaches, pears, apples,
Services of labor and leeches

The importance of grain
Met with profitless disdain.

Today, to trade is to prosper
Thus here we are, catering to any shopper.



All Saints Day, 1755

A dust storm did war
Unfathomable to Moorish hordes

What once stood strong
Long had frail intentions

But now recall the fury of the gods
Who crack the earth to take their dowry
And raise above a man’s head
The sea.




An Unfortunate Patriot or, O Nascimento da Saudade

Who so meekly scuttles away,
A barefoot pitter-patter,
Stealing along the calçada,

The abandoned return the favor,
Casting aside golden spectacles and silk socks,
To watch the sun set over the Tagus once more.

Already a whisper across the gilded blue sea
Stained the colored azulejos with two drops of blood
Tenho saudades tuas

But will they care?
In this land,
We miss what we never lost.

They gave me two names,
And neither fit,

But now all that remains are the ashes of an empire,
Indistinguishable from the ashes of a leper

The studious should never rule



The Whole World and You

Acrylic chips, lying on the musky street
Our cousins kill each other

Pure honey
Leaks from their veins
And somehow stokes the fire

Our sons scoff at us
In our tainted home
A rage rips through the old Goddess

Does the sea approach
As friend or foe?

Even the Saints here couldn’t know

A backwards ritual
Weakest on their birthdays
And most couldn’t even save themselves

A lover without a lover
A green, violent funeral pyre
A painter, a bomber, a mass grave

We all reap what we sow
And in the end
We shall repent for what we have done



Future Goodbye

When did the raven leave from these sunkissed shores?
Was it when the food became good?

I’ve heard rumors ravens only eat dead things



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All works by Daniel Kushnir is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.